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Something is funny when someone laughs, or romantic when their heart swells, for better or for worse, and we have no right to say why one of these should top another. It’s for this reason that we had such a good time making this list, at least initially. People keep a special place in their heart for romantic comedies. At the same time, they maintained a storybook sensibility, and somehow kept our sympathies with the lovelorn Cher, whose insipidness is overshadowed by her charity, loyalty, and genuine goodwill. to help you sort out what to do with the rest of your life: certainly a rom-com; it caused a bit of a row, in fact.Your uncle, or cube-mate might say, “That’s stupid. They talk about them differently than other movies, and they like to talk about them a lot. We believe she deserves love, and if she gets smart enough to stop looking for it in the “right” places, we want her to find it.. Some of us believe that this movie is ultimately too sad to give the viewer the warm fuzzies they depend on this genre for.
(“Hate us ’cause we’re beautiful—well, we don’t like you either. At first, the weatherman is predictably bummed, but eventually he uses all the information he’s picked up living the same day over and over to better himself and the lives of those around him, eventually impressing Rita with his change of personality. Norah’s lack of fulfillment isn’t what moves the action here; instead we’re on a search for her best friend and an oh-so-cool band’s secret show, with Nick’s (Michael Cera) hapless band, in his hapless car (a Yugo), through downtown New York City’s music scene.” The film portrays a New York that doesn’t really exist anymore—for one thing, Brooklyn Heights is full of bankers now. to make you even more neurotic about your love life:, this is one of those movies that any list of top rom-coms would be remiss without.It’s a window to another time, when marriage meant something different in male-dominated second-generation immigrant families and the challenges Cher’s character places against the social order are both important and revelatory (she won an Oscar for her efforts). to put the fuckboys behind you: Hollywood does this silly, shitty thing when they want to make it clear that a woman is “funny”: They make her clumsy. She fell down in front of the boss she has a crush on while carrying many things! ” Thankfully, this film is actually funny, and so is Renée Zellweger, the titular Bridget Jones, who is 32 and a bit clumsy, and believes herself to be both a tad overweight and running short of romantic options. The story has a classic but important lesson to share: First impressions aren’t everything (and a fashion-related takeaway—never judge a man by his Christmas sweater).. Yes, Alvy Singer’s (Woody Allen) story about how he met, and then lost, and then maybe regained, the love of his life, Annie Hall (Diane Keaton), is a wonderfully funny underdog-meets-girl story. Brooks continued to redefine what rom-coms could be with this sprawling, occasionally dramatic but never self-serious, workplace comedy. to take on a trip: There was never any doubt that Scarlett Johansson was going to be a mega star, but Sofia Coppola’s movie—about the lonely wife of a photographer who befriends an over-the-hill movie star (Bill Murray) while visiting Tokyo—is what made the world stand up and realize we were dealing with a serious actor.
Robinson, you’re trying to seduce” but this movie is so much more than dialogue. Brooks is the producer behind films like “Tale as old as time . Where Disney scored with its animated musical was in—pardon the pun—reanimating that classic story line in a way that was appealing to our eyes and ears, and that of our kids’, while maintaining some real danger in the narrative. to get you over getting over your ex: But it’s Hepburn, aiming for a comeback following some serious bombs, and her witty repartee with her two love interests, Grant (her yacht-designing reformed bad boy of an ex-husband) and Stewart (a tabloid reporter), that is the movie’s bread and butter. The older man and the younger woman don’t so much meet-cute as crash into each other, picking up each other’s pieces, redeeming each other’s lives as they navigate their surreal setting. to reevaluate your checklist: The motherless daughter, caring for her father and looking for her prince, is a trope that goes back to the fairy tales, but how Alicia Silverstone (who plays our hero, Cher) and writer-director Amy Heckerling contemporized that narrative is what made what could have been a silly teen flick into an instant classic.